Tag Archive for Crayon

A Year on Otley Chevin – Calendar 2018

Over the last 2 years I have been visiting Otley Chevin once a month making sketches and taking photographs. I have concentrated on a small number of locations so that it is possible to see them at different times of the year. I have also been exploring mixed media using both acrylic and watercolour paint as the dominant base whilst freely adding in inks, wax crayon pastels. This calendar for 2018 is the result.

January, April and August; this view is from the ridge just to the west of the car park opposite the Royalty (known as the Great Dib) in the first two the contrast is muted, the remains of the bay willow herb are surprisingly tenacious before the new growth comes to a spectacular peak in August. In may ways April looks bleaker than January because new growth is not really apparent and in January the remnants of last years growth are stronger.

February and December; as you walk through the woods to the eastern end of the Chevin and then go up towards the ridge the most striking thing is low sunlight casting long shadows, in terms of growth both of these views are bleak but dramatic. February is mainly acrylic whilst December is mainly watercolour.

March and October; are looking east towards Menston, the contrast is less than would be expected – October gales had stripped the leaves and it was late in the month when I made my October tour.

May; Follow this path far enough to reach the White House. In May the trees are still bare but the gorse looks fantastic. The Chevin is not the place for hosts of daffodils – not something that had occurred to me until this project made me notice it.

June; Full of foliage looking across the valley with the gravel pits around Ashfield House.

July; Dappled sunlight on the path down to the quarry car park

September and November; My personal favourite view, this is from the towards Almscliff Crag, a tangle of bracken and briers below the largest outcrop of rocks on the Great Dib

A year on Otley Chevin Calandar 2018 January to June

A year on Otley Chevin Calandar 2018 July to December

 

Applying the lessons

These are my first attempts to practice what I learned from Chris Forsey. The first is a view of the Château Grounds which is based on source material from the course. The second is from a sketch made on the North Yorkshire Moors.

A mixed media (watercolour, pastel, crayon and ink) rendering of the grounds at L’Age Baston. Done whist the atmosphere and demonstrations were still fresh and able to be brought to mind easily

This view is looking up towards the studio and main house in the background from the side of the swimming pool

This view is looking up towards the studio and main house in the background from the side of the swimming pool

 

A mixed media (watercolour, ink and crayon) of the main street in Lastingham on the North Yorkshire Moors. The preparatory sketching was done after a walk up to Ana Cross when the sun was going down, and with the benefit of reinforcements from Kates Cafe!

This is the view looking up main street from the seats on the green. The sun was about to go down cast shadows of the chimneys on the end walls of the houses going up the hill.

This is the view looking up main street from the seats on the green. The sun was about to go down cast shadows of the chimneys on the end walls of the houses going up the hill.

Style challenge at L’Age Baston

A week at L’Age Baston with Chris Forsey as tutor was just the thing to shake up my style. We had a challenging week looking at mixed media and different colour pallets. The approach was to have an input of theory with demonstrations, then go out and about sketching and, after lunch, do studio work to consolidate and try to put the lessons into practice.

The chateau, which was the base for the week, is itself a great source of subjects for painting. It was also refreshing to be able to have all meals alfresco for a week.

Watercolour, crayon and ink sketch of one of the iconic features at the chateau.

Watercolour, crayon and ink sketch of one of the iconic features at the château.

 

Another view of the cistern . Materials used watercolour, pastel, crayon and ink.

Another view of the cistern . Materials used watercolour, pastel, crayon and ink.

 

This arch is a favorite, I have painted it more than once. Watercolour and ink.

This arch is a favourite, I have painted it more than once. Watercolour and ink.

 

The pigonierre - a somewhat moody interpretation (can you hear the helicopter gunships coming?). Limited pallet, acrylic and ink.

The pigonierre at the chateau; a somewhat moody interpretation (can you hear the helicopter gunships coming?). Limited pallet, acrylic and ink.

 

The market at Piégut-Pluviers, just inside the border of the Dordogne, is one of the busiest in the area. Markets always provide interest and are an exciting subject (if somewhat challenging). I decided to do a matched pair of studies to explore the differences between front and back lighting.

Backlit study of the market at Piégut-Pluviers

Backlit study of the market at Piégut-Pluviers

 

Front lit study of the market at Piégut-Pluviers

Front lit study of the market at Piégut-Pluviers

 

These are from other places in the area, pushing at the boundary of pure representational by adding inks and changing colours.

View from the ramparts taking in the river.

View from the ramparts of Angoulemme taking in the river.

 

The bridge at la Rochfoucald, the plants were striking although I managed to make them too stiff. Acrylic, limited pallete

The bridge at La Rochfoucald; the plants were striking although I managed to make them too stiff. Acrylic, limited palette

 

Feels like I made a lot of progress – the change to my usual style comes through will encourage me to take my work in a new direction.