This year we managed to join up our regular trips to the Lakes, SW and Isles of Scilly, we were away for most of June, clocked up 130 miles of walking and I managed to do quite a bit of sketching and painting. We generally had good weather but were slightly ahead of the heat wave, the week in Cornwall was OK for walking but we suffered front mist and our flight to Scilly was cancelled because of low visibility. We were transferred to the Scillonian and sailed from Penzance on the same day but our late start had to be replaced with a 5-30am get up.
Here are the highlights
The Lake District (1st to 10th June)
We had a week at Ullswater and 3 days near Grange-over-Sands.
16×12 on 140lb Rough, Mixed media, Watercolour, Plein Air, Alla Prima
This is a great place to get a panorama of the mountains at south of the lake, its an area of rough ground east of Pooley Bridge just below the course of High Street Roman Road. We walked the entire stretch of high street from the peak of the same name to Pooley Bridge on 4th June, this painting captures some of the lighting from that day, although I returned to the site and did it on site on the 6th.
Coniston Range from Backbarrow
10×7 on 140lb Rough, Mixed media, Watercolour, Plein Air, Alla Prima
This sketch was completed in about 45 minutes on an extended lunch stop. It was in full sun.
Lake District Notebook
The Southwest (11th to 20th June)
On our way from the Lake District we stopped at Monksilver near Minehead for 2 days and then moved on to Duloe Manor near Looe in Cornwall. Both the larger paintings were completed at the apartment on on drizzly, misty days – not terrible for going out but with poor visibility, flat light and too wet to paint outside. So long as I can be in a place long enough to get some preliminary sketches down with accompanying photos before such a day happens it’s a really good way to fill the day when the weather is not so kind. Not saying I like bad weather on holiday but its not a disaster unless its really bad (see my blog post “Between the Showers, December 2015).
16×12 on 140lb Rough, Mixed media, Watercolour, Alla Prima
I complied this study from sketches and a number of costal path photographs. This was a planned work, I worked out the lighting and approach in my notebook. I wanted strong contrasts and to create a feeling of walking into the view. There are sections of the costal path where you would think you were in woodland – this was one such section on the coast from Polkerris to Gribbin Head. (Incidentally the crab sandwiches at the Rashleigh Inn are reason enough to go). I reserved the foreground plants with masking fluid and made liberal use of wax crayons for the less focussed areas of foliage. Wax resist is a standard watercolour technique, I like to use a complementary colour which will come through on rough paper it gives a similar effect to adding pastel on a dry surface, it look detailed at first glance but is actually quite loose.
14×10 on 140lb Rough, Watercolour & Ink, Alla Prima
Stayed here a number of times and painted both the house and gardens before. This was a new aspect – the view point is the archway between the newer apartments. The gardeners made a good job of the flower beds and the evening sun lit up and shadowed the buildings in an engaging way.
I really got into fishing boats this year
Isles of Scilly (21st to 26th June)
This year the weather in Scilly (after our arrival in fog) was exceptional, perhaps a bit windy at times but full sun and not the oppressive temperatures being experienced back in Leeds. We enjoyed the walking so much I was mostly limited to quick sketching – we even managed to go swimming twice.
Cypress Trees at Innisidgen
14×10 on 140lb Rough, Watercolour with Ink
The bump on the end of the promontory is the site of the Innisidgen bronze age burial chamber. This is the beach were we went swimming. The beach itself is behind this small headland and flanked at the other end by an outcrop of rocks which mark the natural boundary on St, Mary’s between The Road and Crow Sound. This little stretch of beach – not enough of an inlet to qualify as a cove is thus sheltered from the strong currents and within its protection there is an area of water where you can be out of your depth and still be close in to the shore. We were lucky to be there at the top of the tide, after the sand had been warming up all day – even so in June it is still a bracing experience.
I did a fairly detailed notebook sketch whilst I was drying out on Sunday 24th, then on the last day I managed to get down the bare bones of a more considered painting which was subsequently completed back home. I am always attracted to the shapes trees make against the skyline especially when the trunks as well as the tops are silhouetted. Viewed from the beach, this is a natural composition, with the few clouds and the strong shadows cast by the afternoon sun on the rocks, cliffs (about 6’ – topsoil), bracken and trees making a converging V shape. I wanted to capture the essence of the scene and was very caution about the added detail.
Pen and wash field studies
The following were completed out and about.
And the Notebook Extracts from Scilly
And some people watching