So this is by way of a catch up. I have been busy with another project (not art related). I have also been painting a commission for a present and don’t want to publish a spoiler before they are received, framed and given.
We had a week in Askrigg & that allowed me to clear the decks for some favourite landscape subjects.
This is a view from Askrigg Bottoms near the River Ure looking back towards the village (so looking north). It was started en plein air because the evening light with the clouds and long shadows was quite enchanting. I had made some good progress when I was caught in a squall – this one was persistent and by the time it cleared the light was fading so I finished it back at the flat.
Whilst I was pacing up and down, shaking the water off a passer by said hello and seemed interested in my efforts because, as she said “I own this meadow”. I didn’t have time to respond as her companionn said “she owns it in the sense that she has painted it”. It turned out to be Judith Bromley (though she didn’t say at the time). As an aside when I was painting near Appletreewick some time last year I did get into a conversation (friendly) with the actual owner of the meadow (see An Afternoon by the Warfe, 3/11/2014).
The next day Kate and I were walking near Semerwater and who should we meet but Judith. This is something of a coincidence given the scale of the landscape. We had a longer conversation and she invited me to call into the shop which is only open on Wednesdays.
Wednesday came with rain so I was painting at the flat and about 3-30pm went for a walk and decided to call in. The discussion, which started, including a customer who also paints got into abstraction, inspiration, the landscape and working practice. I was shown round and introduced to Robert Nichols as well. Both were very friendly, indulged my questions. Here is a link to their studio. Well worth a look.
Here are a couple of other pictures that I managed to produce – these were worked from sketches and photos on the same or next day because it was too wet for watercolour outside (that’s 2 years now). I can work outside in the cold but rain and watercolour mix in the wrong way. Still its a favourite spot and we’ll keep going so we are bound to strike it lucky eventually (OK it took 30 years to get a week of solid sunshine in the Lake District).
Here are some notebook extracts.