Archive for Studio Watercolour

Devon and Cornwall – April May 2017

This years first trip was to Devon and Cornwall, here is my painting experience (we did other things as well). Introducing the pictures I may mention things in the notebooks I keep. As usual my I have put the Notebook Extracts at the end of the post – where I refer to them they are abbreviated as NE1, NE2 etc.

Devon

Croyde Bay;

22nd April. Watercolour Pencil with Inks, 14×10, Preliminary sketch NE 4.

The approach to this picture was born out of necessity. Having walked across the headland and back round the coastline I eagerly set up to capture this view, the gate gave some interest to the foreground and I imagined the viewer walking through it into the rest of the picture. The sketch went well confirming the composition and I eagerly put up the easel, then reaching for the paints got a shock – hadn’t put them in the rucksack. Now what – abandon the project, accrue shame and leg pulling or keep going. Watercolur pencils, and Indian ink to the rescue. I was rewarded for my efforts be numerous complimentary comments. I find this aspect of plain air work encouraging – those who don’t like to just pass on so the comments you gat are always good ones (so far, anyway).

Croyde Bay

Croyd Bay

Colvelly;

23/4 April. Mixed Media- 14×10, Preliminary sketch NE3.

The notebook sketch developed into a illustration style pen/colour study so the next day I tried to loosen it up a bit with a larger mixed media study, it also gave me the opportunity to add the boat – I had this on the photographs and it was there when I started sketching but moved away and my vantage point on the harbour wall meant I could not see it properly when I was sketching.

Clovelly

Clovelly

Lynmouth, Watersmeet;

25/6th April, Mixed Media– 16×12. Preliminary sketch NE5.

Rainy days on holiday are never a problem provided that there is space to work. The Abandoned Cottage had a mezzanine which was a child play area, I was able to commandeer it for a studio; it has a large velux window affording good working light. The previous day we had visited Watersmeet and walked to Lynmouth and back, the enclosed, wooded gorge with patches of sunlight combined with the fast flowing water is something I also experience on walks by the Warf and Nidd – the rainy day gave me the opportunity to spend some time working out how to approach then scene. I feel that I will be returning to this kind of scene there is a lot of complexity in the subject which makes it a rewarding subject.

Watersmeet Lynmouth

Watersmeet above Lynmouth

Taw Estuary and Bideford Bay

26th April. Watercolour, 14×10, Preliminary sketch NE 5.

I could see this out of the mezzanine window and painted it in parallel with the Lynmouth picture. It was this weather coming from the Atlantic which cause widespread snow and hailstorms, enough to be reported in the papers. Back in Yorkshire our Pieris suffered a lot of frost damage and after a spectacular start now looks rather sad. But the sky really did look like this – I just wanted to get the sunset down. The headland in the far distance is Hartland Point.

Taw Estuary

Weather Coming In, Taw Estury and Bideford Bay

Cornwall

Duloe Manor

4th May, Mixed Media, 16×12, Preliminary Sketch NE5

I really like this avenue of trees that run straight towards the main house at the HPB site. I painted it last year, the record shows that whilst the bluebells were out the wild garlic and leaves of the trees were more advanced this year. This year I altered to composition from portrait to landscape and moved the edge of the avenue occluding the line of trees on the right. As an alternative composition I think it works. It was a dull day but improved as I painted. I blocked in the darks from memory and limited them, then worked up the rest with light colours, later in the session I was able to uses washes for the dappled light. This is not ideal if the conditions are such that the paint applied first isn’t drying.

Duloe manor Avenue

Duloe Manor

Looe Waterfront

6th May, Watercolour, 16×12, Preliminary Sketch NE5.

Another rainy day, another opportunity to do a more considered watercolour. I am constantly learning about loose-tight and subjects with boats and building bring this challenge to the fore. My brother had bagged this painting as as a souvenir of the holiday.

Looe Waterfront

Looe Waterfront

Polpero

7th May, Mixed Media, 14×10, Preliminary sketch NE5.

Better than Colovelly (it’s a working village) and to my mind only bettered only by Polruan (which has a working boatyard). OK boys stuff! We walked to Polpero and found a great spot near the library where we were sheltered from the wind. This is a subject that I tackled last year – this time I got the perspective right.

Polpero

Polpero

Notebook extracts

The following are extracts from my notebook. I have organised them thematically rather than chronologically but the notes on the pictures posted above refer to the relevant pages if you want to do some comparisons.

  • The trip (people watching)
  • Barnstable area
  • Harbours and fishing boats
  • The coastline
  • Working sketches

NE1 The Trip

NE2 Barnstable

NE3 Harbours and Fishing Boats

NE4 Coastline

NE5 Working Pictures

And finally some action shots;

Artist at Work

Commission Delivered

These are pictures I did for my cousin who lives in the US as mementos of Yorkshire.

The Gannets at Bempton is a composite from on site sketches and photographs I took as the RSPB site there. The footpath goes along the cliff tops and as the gannets rise on the updraught you really are close to these magnificent sea birds.

Gannets at Bempton Whitby Evening

The picture of Whitby is from the window a friends flat which looks right across the harbour, directly at the Abbey. The sun was setting behind the flats throwing the harbour into shadow but leaving the other side in bright sunlight – which was then reflected in the dark water making a striking contrast.

Two views from Otley Chevin

I must admit to being a little intimidated by the challenges of mixed media and got into a bit of “painters block” blaming the weather and finding all sorts of displacement activities. My excuse is that light has been bad more often that it has been good – even with my large north facing skylight overcast often means gloom.

My monthly trip to the Chevin (of which I will blog about more later) raised the spirits and I decided to conduct an experiment. Using a loose style I’d lead with 2 different mediums. Both these pictures are mixed media. They are both the same view from Otley Chevin as it was in November from the sketches and photos I took then. In the view we are looking north-east from just below the rock outcrops near the Royalty car park (Great Dibb), the hill on the horizon is Almscliff Crag.

Both are attempts to become less literal and convey more of the emotion that comes from the weather and the view, perhaps the difference between the  start of a sunny spell and the of one. It is also down to the differences between the mediums, the treatment and the choice of colour, there are some faint memories of the warm autumn colours as the winter is coming on.

The first is predominantly watercolour but has ink and acrylic in the mix. It has a lighter feel and the alizarin/purple lake in the shadows adds warmth. The second is predominantly acrylic; it is colder and has a more lowering, even foreboding feel from the ultramarine/umber but I think the sunlight works.

Watercolour, Inks and Acrylic

1 Looking NE towards Almscliff Crag – Watercolour, Ink and Acrylic

 

Acrylic & Ink

2 Looking NE towards Almscliff Crag – Acrylic and Ink